Portfolio
Clients
Aga Wilk — work
- Magazine Cover
Vogue Polska · Magazine Cover · Jul 2026
Vogue Polska July/August 2026 Cover
- makeup artist:
- Aga Wilk
- hair stylist:
- Daniel Gryszke
Vogue Polska · Magazine Cover · Oct 2025
Vogue Polska October 2025 Covers
- makeup artist:
- Aga Wilk
- photographer:
- Alexi Lubomirski
- hair stylist:
- James Rowe
WRPD Magazine · Editorial · Mar 2025
Holographic Memory
- hair stylist:
- Adrian Wlasiuk
- makeup artist:
- Aga Wilk
- fashion editor/stylist:
- Anna Dobrzanska
- photographer:
- Jakub Pleśniarski
- creative director:
- Marco Giovanni Grisolia
- fashion editor/stylist:
- Sabrina Mellace
Other · Oct 2024
Hair by Ola Walkow
- makeup artist:
- Aga Wilk
- fashion editor/stylist:
- Marta Zaczynska
- photographer:
- Ola Walków
Vogue Polska · Magazine Cover · May 2024
Vogue Polska Sport & Wellness NR.1 Cover
- makeup artist:
- Aga Wilk
- set designer:
- Ania Witko
Editorial · Feb 2024
Kmag: STARDUST by Aleksandra Modrzejewsk...
- makeup artist:
- Aga Wilk
- fashion editor/stylist:
- Anna Dobrzanska
Vogue Polska · Editorial · Nov 2023
SWIDERMAJER STORY
- Models:
- Isa G
- photographer:
- Stefan Armbruster
- makeup artist:
- Aga Wilk
- producer:
- Vlad Mykhnyuk
WRPD Magazine · Editorial · Nov 2023
Oracles
- makeup artist:
- Aga Wilk
Vogue Polska · Editorial · Aug 2023
Ostrygi jadamy odważnie
- Models:
- Kristy Ponomar
- photographer:
- Gosia Turczynska
- makeup artist:
- Aga Wilk
Elle Poland · Editorial · Mar 2023
Kulisy na pokaz by Mateusz Stankiewicz
- makeup artist:
- Aga Wilk
- photographer:
- Mateusz Stankiewicz
Models worked with
What to put in the request
- 1
The genre: clean commercial, beauty close-ups or an editorial statement.
- 2
How many models and looks, and how long the day is.
- 3
Date, city and whether hair is on the same person or booked separately.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.
