Portfolio
Clients
Andrea Colace — work

Lampoon Magazine · Editorial · Apr 2026
MECCANO
- Models:
- Atmane Yousfi, Remi Beugnez
- photographer:
- Alexandra Alvarez Garcia
- fashion editor/stylist:
- Andrea Colace
- makeup artist:
- Hicham Ababsa

Lampoon Magazine · Editorial · Oct 2025
Every morning we are a family, Lampoon S...
- fashion editor/stylist:
- Andrea Colace

Lampoon Magazine · Magazine Cover · Oct 2025
Lampoon Magazine #32 2025 Covers
- Models:
- Charles de Linière, Delta van Melle
- fashion editor/stylist:
- Andrea Colace

Lampoon Magazine · Editorial · Oct 2025
Soap
- Models:
- Charles de Linière, Connor Newall
- photographer:
- Alexandra Alvarez Garcia
- fashion editor/stylist:
- Andrea Colace

Other · Oct 2025
Arxipelag Magazine - The Apartment
- Models:
- Moli Grewal
- photographer:
- Alexandra Alvarez Garcia
- fashion editor/stylist:
- Andrea Colace

Lampoon Magazine · Editorial · Apr 2025
Cover story with Mathis Chevalier
- fashion editor/stylist:
- Andrea Colace

Lampoon Magazine · Magazine Cover · Apr 2025
Lampoon Magazine issue n 31 Covers
- fashion editor/stylist:
- Andrea Colace

Lampoon Magazine · Editorial · Apr 2025
Mathis Chevalier for Lampoon Indipendenc...
- fashion editor/stylist:
- Andrea Colace
- photographer:
- Byron Spencer

L'Officiel Hommes China · Editorial · Apr 2025
Dear Vincent
- fashion editor/stylist:
- Andrea Colace
- director:
- Pj Lam

L'Officiel Hommes China · Magazine Cover · Apr 2025
L'Officiel Hommes China April 2025 Cover
- fashion editor/stylist:
- Andrea Colace
- director:
- Pj Lam
Models worked with
What to put in the request
- 1
What the shoot sells or says: brand, collection, editorial idea.
- 2
Number of looks, sizes of the models and whether the wardrobe is yours or sourced.
- 3
Date, city and the budget — including pulls, returns and an assistant.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.









