Portfolio
Clients
Barbara Bonazza — work

Esquire Kazakhstan · Editorial · Jun 2026
(Не)искусственный интеллект
- Models:
- Stefano Tomadini
- photographer:
- Stella Bonasoni
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Fabio Mercurio

Marie Claire Ukraine · Editorial · Mar 2026
Spring in Milan
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Peter Cardona

L'Officiel Arabia · Editorial · Nov 2025
Turn On The Lights
- Models:
- Lea Petanovic
- photographer:
- Stella Bonasoni
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Fabio Mercurio

Next Gen Magazine · Editorial · Nov 2025
Debug
- makeup artist:
- Barbara Bonazza

Editorial · Jun 2025
Countryside Sadness
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Fabio Mercurio
- photographer:
- Stella Bonasoni

Marie Claire Ukraine · Editorial · Jul 2024
Stone Jungle
- Models:
- Alessia Gatti
- photographer:
- Tassili Calatroni
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Peter Cardona

Editorial · May 2024
The Way I Am
- makeup artist:
- Barbara Bonazza

Spaghetti Magazine · Editorial · Mar 2024
Backstage Stories
- Models:
- Gabriel Daum
- photographer:
- Giovanni Gori and Andrea Aldrovandi
- makeup artist:
- Barbara Bonazza

Marie Claire Ukraine · Editorial · Mar 2024
Lines and Laughter
- makeup artist:
- Barbara Bonazza
- fashion editor/stylist:
- Peter Cardona

Spaghetti Magazine · Editorial · Mar 2024
BACKSTAGE Story
- Models:
- Gabriel Daum
- photographer:
- Giovanni Gori and Andrea Aldrovandi
- makeup artist:
- Barbara Bonazza
Models worked with
What to put in the request
- 1
The genre: clean commercial, beauty close-ups or an editorial statement.
- 2
How many models and looks, and how long the day is.
- 3
Date, city and whether hair is on the same person or booked separately.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.










