Portfolio
Clients
Brendan Dacey — work

Laura Mercier · Advertising · Aug 2025
The Mercier Effect
- Models:
- Yacine Diop
- director:
- Brendan Dacey
- art director:
- Bryan Vargas

DKNY · Advertising · Mar 2024
DKNY Spring 2024 Studio Campaign
- director:
- Brendan Dacey

Karl Lagerfeld · Advertising · Sep 2023
KARL LAGERFELD Fall 2023
- Models:
- Lala Olsson
- photographer:
- Stas Komarovski
- director:
- Brendan Dacey

Louis Vuitton · Other · Nov 2022
LOUIS VUITTON: 200 TRUNKS, 200 VISIONARI...
- model:
- Ben Ditto
- director:
- Brendan Dacey
- model:
- Francesca Sorrenti
- other:
- Steven Rico

Louis Vuitton · Other · Sep 2022
Louis Vuitton and Nike “Air Force 1” by ...
- director:
- Brendan Dacey

Victoria Beckham Beauty · Advertising · Sep 2021
Victoria Beckham Beauty 2021 Campaign
- Models:
- Nour Garay
- photographer:
- Enrique Badulescu
- director:
- Brendan Dacey

Editorial · Aug 2021
The Fashionography x Proenza Schouler
- Models:
- Evelyn Rain
- director:
- Brendan Dacey
- hair stylist:
- Ashley Javier

Marc Jacobs · Advertising · Nov 2019
Marc Jacobs Daisy Holiday 2019
- photographer:
- Brendan Dacey

Fila · Advertising · Jul 2019
FILA Explore Collection
- director:
- Brendan Dacey

Vogue Me China · Editorial · Dec 2018
Photography Adam Kremer
- director:
- Brendan Dacey

Marc Jacobs · Lookbook/Catalog · Apr 2017
Marc Jacobs Beauty How Do You Highline S...
- Models:
- Solveig Mork Hansen
- director:
- Brendan Dacey

Marc Jacobs · Lookbook/Catalog · Apr 2017
Marc Jacobs Beauty How Do You Highline S...
- Models:
- Madison Sells
- director:
- Brendan Dacey
Models worked with
What to put in the request
- 1
The kind of shoot and its use: agency test, lookbook, e-commerce, campaign.
- 2
Date, city, studio or location, and how many looks.
- 3
Budget range and whether you need retouching in the quote.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.










