Portfolio
Clients
Hollis De Laney — work
TWELV Magazine · Editorial · Mar 2018
LOLITA IN ZADIG & VOLTAIRE
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Feb 2018
MEET KIKO ARAI, MISS JAPAN-TURNED FACE O...
- fashion editor/stylist:
- Hollis De Laney
Lookbook/Catalog · Feb 2018
Chelsea and Walker - A/W 2018
- photographer:
- Chama
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Nov 2017
Roberto Cavalli X TWELV "Steffi"
- photographer:
- Chama
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Aug 2017
ANE AMOUR
- photographer:
- Chama
- fashion editor/stylist:
- Hollis De Laney
- producer:
- Makiko Asada
TWELV Magazine · Editorial · Aug 2017
Close Encounters Of The Third Kind
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · May 2017
VASILISA IN DKNY
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Mar 2017
Plastic Woman
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Mar 2017
Play Dead
- fashion editor/stylist:
- Hollis De Laney
TWELV Magazine · Editorial · Feb 2017
Kiesza by Chiaki Kato
- fashion editor/stylist:
- Hollis De Laney
- producer:
- Makiko Asada
What to put in the request
- 1
What the shoot sells or says: brand, collection, editorial idea.
- 2
Number of looks, sizes of the models and whether the wardrobe is yours or sourced.
- 3
Date, city and the budget — including pulls, returns and an assistant.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.
