Portfolio work by Karen Kaiser, stylist

    Stylist

    Karen Kaiser

    Karen Kaiser is based in Paris. She began her career as Contributing Fashion Editor at Interview Magazine in NYC, eventually rising to Fashion Director of Interview Russia before transitioning to a freelance career, where she expanded her exploration of fashion and style. Karen’s approach to styling is personalized and considered, with a sharp point of view. Drawing inspiration from photography, art and culture, her work embodies a modern yet timeless sensibility. She often uses contrasts in her styling to create modern compositions with a human perspective. As a Fashion Editor and consultant, Karen has collaborated closely with leading designers and creative directors who cultivate brilliant craftsmanship in both fashion and print. Her passion for both her work and forging personal connections sets her apart in the industry. Her editorial work is frequently featured in prestigious publications such as American Vogue, Dazed, Dior Magazine, Interview Magazine, T-Magazine, and WSJ Magazine. Known for her innovative approach, Karen collaborates with top photographers, including Craig McDean, Paolo Roversi, Thurstan Redding, Chris Rhodes and Annemarieke van Drimmelen, bringing a distinct vision to each project. Her commercial portfolio includes major brands like Dior, GIADA, Ferragamo, Tiffany&Co, Nike, and Coach. In addition to her editorial and commercial projects, she has consulted on runway collections and styled shows for brands including GIADA, Gabriele Colangelo, Baja East, and Prabal Gurung.

    Profession
    Stylist
    Portfolio
    11
    Updated
    Sep 2026

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    Portfolio

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    Clients

    Karen Kaiser — work

    Models worked with

    What to put in the request

    1. 1

      What the shoot sells or says: brand, collection, editorial idea.

    2. 2

      Number of looks, sizes of the models and whether the wardrobe is yours or sourced.

    3. 3

      Date, city and the budget — including pulls, returns and an assistant.

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