Portfolio
Clients
Lorena Maza — work

Adidas · Advertising · Mar 2026
Worldcup 2026 Campaign by Lukas Korschan
- makeup artist:
- Alvaro Dominguez
- fashion editor/stylist:
- Lorena Maza

Atmos Magazine · Magazine Cover · Jun 2025
Atmos Magazine June 2025 Cover
- Models:
- Yên Sen
- photographer:
- Camila Falquez
- fashion editor/stylist:
- Lorena Maza

Atmos Magazine · Editorial · Jun 2025
The Fruits We Bear: Portraits of Trans L...
- Models:
- Yên Sen
- photographer:
- Camila Falquez
- fashion editor/stylist:
- Lorena Maza

Vogue Mexico · Editorial · Nov 2024
Libre De Definiciones
- photographer:
- Camila Falquez
- fashion editor/stylist:
- Lorena Maza

Vogue Mexico · Magazine Cover · Nov 2024
Vogue Mexico November 2024 Covers
- photographer:
- Camila Falquez
- fashion editor/stylist:
- Lorena Maza
- Advertising
Adidas · Advertising · Jul 2024
Adidas SL 72 2024 Campaign
- entertainer:
- A$AP Nast
- fashion editor/stylist:
- Lorena Maza
- director of photography:
- Nicolas Loir
- director:
- Thomas Lachambre

Adidas · Social Media · Apr 2024
ORIGINALS (GAZELLE, SAMBA, SPEZIAL)
- Models:
- Emmanuel Echavarría, Fabian Gamba
- fashion editor/stylist:
- Lorena Maza

Vogue Germany · Editorial · Mar 2024
Kicki Yang Zhang
- set designer:
- Carina Dewhurst
- model:
- Kicki Yang Zhang
- fashion editor/stylist:
- Lorena Maza

Vogue Germany · E-commerce · May 2023
Vogue Collection Summer 2023
- fashion editor/stylist:
- Lorena Maza

Elle Belgium · Magazine Cover · Feb 2022
Elle Belgium February 2022 Cover
- fashion editor/stylist:
- Lorena Maza
Models worked with
What to put in the request
- 1
What the shoot sells or says: brand, collection, editorial idea.
- 2
Number of looks, sizes of the models and whether the wardrobe is yours or sourced.
- 3
Date, city and the budget — including pulls, returns and an assistant.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.








