Portfolio
Clients
Tyler The Creator — work
T: The New York Times Style Magazine · Editorial · Oct 2025
T: The New York Times Style Magazine The...
- hair stylist:
- Ronnie Mccoy
- entertainer:
- Tyler The Creator
Bottega Veneta · Advertising · Sep 2025
Bottega Veneta Craft is Our Language 202...
- entertainer:
- Tyler The Creator
Bottega Veneta · Advertising · Jun 2025
Bottega Veneta Craft is Our Language 202...
- entertainer:
- Tyler The Creator
- Advertising
Advertising · Jun 2025
Instagram Share Anyway Campaign
- photographer:
- Nolan Zangas
- entertainer:
- Tyler The Creator
Music Video · Music Video · Oct 2024
Tyler, The Creator - NOID
- director of photography:
- Luis "Panch" Perez
- hair stylist:
- Nena Soul Fly
- entertainer, director:
- Tyler The Creator
Music Video · Music Video · Oct 2024
ST. CHROMA - Tyler, The Creator
- director of photography:
- Luis "Panch" Perez
- hair stylist:
- Nena Soul Fly
- entertainer, director:
- Tyler The Creator
- Editorial
Album Cover · Editorial · Oct 2024
Tyler, The Creator - CHROMAKOPIA
- photographer:
- Luis "Panch" Perez
- hair stylist:
- Nena Soul Fly
- entertainer:
- Tyler The Creator
Louis Vuitton · Advertising · Mar 2024
Louis Vuitton Spring 24 Capsule Collecti...
- designer, director, photographer:
- Tyler The Creator
Louis Vuitton · Lookbook/Catalog · Feb 2024
Louis Vuitton Spring 2024 Men’s Capsule ...
- designer, photographer:
- Tyler The Creator
American Vogue · Editorial · Sep 2022
Fashion's New World
- Models:
- Caroline Bwomono, Niamh Maye
- photographer:
- Acielle
- editor:
- Hamish Bowles
- entertainer:
- Tyler The Creator
Models worked with
What to put in the request
- 1
The shoot: editorial, lookbook or campaign, and the story.
- 2
Sizes of the models and how many looks you need.
- 3
Dates, city and whether the pieces are lent, made or bought.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.
