Portfolio
Clients
Victor Noble — work

Harper's Bazaar Mexico · Editorial · Feb 2025
Sardegna, Amore Mio
- hair stylist:
- Elsa Canedo
- photographer, creative director:
- Enrique Vega
- fashion editor/stylist:
- Stacey Cunningham
- makeup artist:
- Victor Noble

L'Officiel Cyprus · Editorial · Dec 2024
Eugena Washington Glamour & Frost
- fashion editor/stylist:
- Mickey Freeman
- photographer:
- Quintin and Ron
- makeup artist:
- Victor Noble

Grazia Italy · Editorial · Nov 2023
La Tua Avventura
- model:
- Diego Villarreal
- makeup artist:
- Victor Noble

Vogue Philippines · Editorial · Nov 2023
More is More
- Models:
- Meng Zheng
- makeup artist:
- Victor Noble

Editorial · Jun 2023
Tereza Bouchalova for Venice magazine FL
- Models:
- Tereza Bouchalova
- photographer:
- Eniko Szucs
- makeup artist:
- Victor Noble

Editorial · Jan 2023
Bold statement Fashion editorial for Ven...
- Models:
- Aubrie Williams
- photographer:
- Eniko Szucs
- makeup artist:
- Victor Noble

Magazine Cover · Jan 2023
Cover for Venice magazine
- Models:
- Aubrie Williams
- photographer:
- Eniko Szucs
- makeup artist:
- Victor Noble

Ralph Lauren · Lookbook/Catalog · Jun 2022
Lauren by Ralph Lauren Swimwear Lookbook
- Models:
- Rossy Herrera
- photographer:
- Enrique Vega
- makeup artist:
- Victor Noble

L'Officiel Cyprus · Editorial · Jun 2022
The Elements Of Value
- photographer:
- Quintin and Ron
- makeup artist:
- Victor Noble

Polo Ralph Lauren · Lookbook/Catalog · Mar 2022
Polo Ralph Lauren Resort 2022 Lookbook
- retoucher:
- Silvia Filgueiras
- makeup artist:
- Victor Noble
Models worked with
What to put in the request
- 1
The genre: clean commercial, beauty close-ups or an editorial statement.
- 2
How many models and looks, and how long the day is.
- 3
Date, city and whether hair is on the same person or booked separately.
How booking a crew works
- →Your request reaches the professional with the brief attached.
- →They confirm the dates and quote the shoot.
- →Need the rest of the crew? The robot assembles it from this directory.










